On stage.
Under the lights.

A short window into the full show — the horn, the voice, the band, and the rooms. Three minutes of what a night on the road actually looks and sounds like.

South Florida’s premier home for soul, blues, and funk — a packed room on Mizner Boulevard, a tight band, and a night that breathes. This is the live show at full temperature: horn, vocal, groove, and a crowd that came to listen and came to move.

A night on the historic stage at Blues Alley — the Georgetown listening room that has hosted Dizzy, Sarah Vaughan, Wynton, and nearly every major voice in American jazz since 1965. Horn, vocal, band, and a room that leans in.

A study in tone and touch — where the horn leans into the note and lets it breathe. Pure soul, patient phrasing, and the small moments that separate a performance from a song.

A symphony night in Portland’s grande dame — the 1928 landmark at Broadway and Main, home to the Oregon Symphony. Full orchestra, full house, and a song built for the room. This is the live show at its most expansive: horn and voice out front, strings and brass behind, a city that has known Patrick since the beginning listening close.

A live PBS special at the Beverly Hills landmark, on the bill alongside Gino Vannelli. Wide stage, a seated house, and a night built for television — horn out front, a full band behind, and the craft on full display.

Inside the Napa Valley Opera House — one of contemporary jazz’s most respected listening rooms. Small room, close audience, every nuance of the horn and the vocal audible from the back wall. The kind of night the band looks forward to all year.

Charlotte’s premier jazz room — the evening that had the whole house up dancing and prompted agent Larry Farber to call Patrick “the next Boney James.” A tight set, a packed room, and a night that builds the way a good record does.

The West Coast supper-club institution — a signature room for the band’s California residencies. Dinner service, a full band, and the kind of crowd that knows every chart by the second chorus.

The Ray Charles Tribute — festival mainstage, capacity crowd, and the set that became a live CD. Horn, voice, and the Ray Charles songbook on a summer night in Portland’s river park.